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Enduring Love by Ian McEwan
Enduring Love by Ian McEwan










Enduring Love by Ian McEwan Enduring Love by Ian McEwan

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Enduring Love by Ian McEwan

Key words: Narrative Identity construction Reconstruction Fragmented self Each character has his/her own narrative to consider as a means of exercising power and neither is willing to accept the other’s’ narrative. In this procedure, not only are we presented with Joe’s narrative but also that of Clarissa, Joe’s wife and Jed Perry, whom believes there is a special love between himself and Joe which Joe is denying. The novel begins with the major character’s narration of a balloon incident, which has served as the starting point for the fragmentation and dispersion of the protagonist, Joe, whom looking back at the incident, is now trying to put the fragments together to reconstruct his shattered identity. This study aims to show how the process of identity construction reveals to be one that is both relational and strongly dependent upon expression. Using Taylor’s analysis as an interpretive lens, this article explores how an “immanent framework” both frustrates and opens possibilities for manifestations of transcendence.The present paper aims to focus on the relationship between narrative and human identity and the process of identity construction in McEwen’s Enduring Love. Taylor traces the historical threads emerging from the Protestant Reformation that now appear in the 21 st century as multiple alternatives for making sense of life and experiencing fullness. These ordinary characters’ interactions as they respond to a hot air balloon accident help to define and interpret the nature of religion and spirituality in our “secular age.” What characterizes our “secular age” and the nature of its religious impulses McGill University philosopher Charles Taylor aptly examines in A Secular Age (2007). On the other hand, the novel focuses on the conflicts between rational, emotional, even spiritual, behaviour as the characters search for enduring love in a postmodern culture. In Ian McEwan’s 1997 novel Enduring Love no character declares a belief in God except a mad stalker suffering from a delusional syndrome, and that character does not appear to hold recognizable theological or doctrinal positions of historical/institutional Christianity.












Enduring Love by Ian McEwan